Aurora Reinhard

Martyr, 2018, polyamide 3d-print , brass, 38 x 12 x 8 cm, photo © Lukas Vogt

Broken (female hand), 2017, Sculpture, Giluform weiss plaster, natural size.

photo © Lukas Vogt 2018

High Rider, 2018, polyurethane, 24 carat gold leaf,

24 x 12,5, x 3 cm, photo © Lukas Vogt

This version from 2013 plays with the origin of the piece, the barbidoll. That’s were the pinkish flesh color idea came from. The material is pigmented polyurethane cast with some pigmented enamel varnish on it.

High Rider, 2013, polyurethane, pigments, enamels. Photo © Vilhelm Sjöstrom 2013, Artwork © Aurora Reinhard

Still-Life, 2018, plaster, pigments, light coating of 2-komponent acrylic varnish/paint, photo © Lukas Vogt

Artist & Model, 2017, 3d color print, 17 x 70 x 36 cm.

In this work I’m portraying myself in the double role of the creator of art works and as the muse for them. The Art work crate is representing my power and I’m sitting on it in the classic pose of the Thinker by Rodin.

Dream Team, 2017, 3d color print, 17 x 16 x 14 cm

The idea for this work came from David Elliot and Felicien Rops who made a painting called pornocrates in the 1878.

The Dream Team might sound sarcastic but actually it’s stated as a matter of fact. Men and women are forever bound together without the other we wouldn’t be. It looks like a power play where the woman is ruling the man but actually she is following him in blind fold and the chain is holding them together forever.

Artist & Curator, 2017, 3d color print, 17 x 14 x 14 cm

The idea for this work came after working with curator David Elliot on the 56th October Salon in Belgrade. Power seems to be the theme in all of the miniature 3d-prints, as also in this one. Artist, curators and gallerists are in many ways dependant on each other. Maybe it would have been better to choose a female curator in order to avoid the cliche of an older man and a younger female D/S-play but for me it was important that the work was based on an actual encounter.